The Camera Gear.

When choosing camera gear, the most important rule is simple: focus on the application first. Understanding exactly what you want to film and under which conditions matters more than owning the latest or most expensive equipment. Experience will teach you what really works.

In my case, I film aircraft during takeoff and landing from about 400 meters away, often from fixed viewing points at airports. That alone defines most of my gear choices. I need portable equipment, high-resolution video for easy editing, fast and reliable autofocus, and stable footage while panning and zooming.

For the camera, I chose the Sony ZV-E10 Mark II—a compact, lightweight model with 4K 60fps video, excellent autofocus, and all at a reasonable price. Paired with a Sony FE 70–200mm F4 Macro G OSS II lens, I get the reach and sharpness needed for distant, fast-moving subjects.

Tripods help, but I often shoot handheld since post-production stabilization and natural body movement can produce great results. A bright screen or external monitor is essential outdoors, and directional microphones—like my Rode NTG2—help control noisy airport soundscapes.

A reliable power bank keeps everything running all day, and an ND filter is invaluable for managing changing light while panning between bright and shaded areas.

In the end, use what you have, film what you want, and let your results show you where your next upgrade should be.